882
8.0

卧虎

导演:
王光利,麦子善
主演:
曾志伟,吴镇宇,陈小春,秦海璐,余文乐,苗侨伟,张智霖,郭羡妮,黄德斌,聂远,岳华,邓健泓,那威,洪天明
别名:
未知
8.0
882人评分
粤语
语言
2006-10-13
上映时间
未知
片长
简介:
相传警方派驻了上千卧底深入黑帮,就等时机成熟把社团一网打尽。此时警方雄图大志,将潜伏已久终于爆发的行动命名为“百年孤寂”。洪兴社树大招风,社团里各个话事人开始草木皆兵。相反洪兴老大淡定自若,他的女人苏菲(秦海璐饰)替他周旋于各帮派期间,力稳局势。  然而洪兴社团的众人已经按捺不住躁动。人人自危的情势开始:分管不同领域的华超(吴镇宇饰)、黎继祥(曾志伟饰)、钟孝礼(张智霖饰)、游志标(陈小春饰)几人当中,有的已经被警方掌握了犯罪证据,有的正陷入一场恐慌,看不清身边谁人是卧底身份。警方铲除洪兴社团即日可待。
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简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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