十七岁的单车

简介：这是一个完美的海滩假日，至少有一家人、一对年轻夫妇、几个游客和一个流亡者都这么认为，他们来到了同一个幽静、田园般的小海湾，那里有岩石池和沙滩，四周环绕着绿油油的、植被茂密的悬崖。但这个乌托邦背后隐藏着一个黑暗的秘密：首先是在水晶般清澈的水中有一具漂浮的女性尸体。还有一个诡异的事实正在上演：所有的孩子都在迅速衰老。很快，每个人都都发现他们正在变老——每半小时一次——而且他们似乎没有任何办法离开这个小海湾。　　沙马兰说这部电影是受到 Pierre Oscar Levy和艺术家Frederik Peeters创作的法国图画小说《沙堡》（Sandcastle）的启发。《沙堡》的故事里有13个人，他们无法离开一个神秘，僻静的海滩，那里隐藏着涉及时间的黑暗秘密。不过漫画里并没有给出这个时间谜团出现的原因，更像是一个关于生存与死亡预言故事。但《OLD》并不是直接改编自这部图像小说，所以沙马兰本人会来讲完这个故事和脑洞。

简介：短短半年时间，濑户内海的小岛便漂来了6具无名男尸，这一系列神秘事件引发人们的广泛猜测，小岛更被冠以“死尸岛”这一可怕名字。英俊帅气且拥有天才头脑的科学家兼私家侦探御手洗洁（玉木宏 饰）从编辑小川美雪（广濑爱丽丝 饰）口中听到了死尸岛的传说，由此勾起了他无限的好奇心，当即启程飞赴濑户内海。　　经过一番调查，御手洗很快判明6具尸体全部来自广岛县的福山市。当然无名尸体并未就此停止出现，不久又有一名外籍女子暴死的尸体被人发现，此外在某瀑布另有男女遭人拘禁。几宗案件有着千丝万缕的联系，御手洗甚至追溯至战国和江户时代之交所发生的重大事件。错综复杂的线索所裹挟的真相逐渐浮出水面……

简介：A young woman finds a way to resurrect the lover she lost to suicide, with devastating, unforeseen consequences.

简介：救护队目马志业（古天乐 饰）坚持救人至上，不按章法，捱到五劳七伤；调职过来的王维（游学修 饰）视晋升为本，两人背道而驰产生矛盾。志业是单亲好爸爸，与小女儿面临天各一方。至亲最爱，一旦生离死别，谁不怕有被遗忘的一天？十字车要走得远、开得快，人生旅途亦然。一场屯门公路严重事故令他们不再迷惘。导演卓韵芝言情之作，写照生命的伟大，十万火急与不动声色的场面交替得张弛有度，处处真情流露。离不开的，是穿梭大街小巷的风景，是对这座城巿的留恋。

简介：1931年9.18事变以后，赵一曼（石联星 饰）受党委派任哈尔滨总工会书记，和老曹（张平 饰）一起领导电车厂工人反日罢工运动。不久老曹被捕后牺牲。1934年赵任中共珠河县委委员兼铁北区委书记，组织义勇军，对日寇开展游击战争。秋天，她领导的农民自卫队与王团长（王炎 饰）所率抗日部队会师。红军长征到达陕北的消息传来，部队举行庆祝联欢，不料营地被鬼子包围，赵一曼率队突围，无奈敌人越上越多，她令王团长带主力先撤，自己带部分战士掩护，终因寡不敌众，不幸被俘。抓到赵一曼，敌认为钓到了大鱼，先是严刑拷打，后又威逼利诱，赵一曼却至死都没有开口……

简介：Bonhoeffer is the true story of a man who preached love while plotting the assassination of an evil tyrant. With world-shattering stakes, Bonhoeffer begs the question, how far will you go to stand up for what's right

简介：员外曹林的妻子死后，他又另娶了赵氏为妻，赵氏带来了自己的儿子苍娃，并且将曹林原配的儿子曹宝山以及他的家人们赶到了下院，过着凄苦的生活。曹宝山想要进京赶考，偷偷向父亲要了十两银子做盘缠，哪知道赵氏知道了此事，硬是将钱抢了回来，无奈之下，曹宝山只得一路卖艺乞讨上京。　　在路上，曹宝山遇见了苍娃，苍娃非常痛恨母亲的所作所为，不仅将身上的五十两银子给了曹宝山，还偷偷的运动米面油盐给曹宝山的妻儿。苍娃的行动被赵氏发现了，于是她设计下毒想要杀死曹林侵吞家产，并且打算将杀人的罪名推到曹宝山的妻儿身上。

简介：乍暖还寒的初春，吴秀英做了一个大胆的决定：自驾去几百公里以外的北京看女儿。她囫囵上路，手忙脚乱，闹了笑话。女儿的来电给吴秀英泼了盆冷水，和女儿平和心境再次对话后，吴秀英最终决定变更目的地，找寻自己心中的那匹马。

简介：影片《肖开提的假期》讲述了一个城市年轻人骆冰，带着迷茫苦恼，来到伊犁，寻找他的音乐梦想，遇到了民间音乐人肖开提一家人。肖开提全家用热情和对生活的热爱使骆冰改变了对生活的态度，寻找到了新的方向。

简介：剧情简介暂缺，敬请期待

简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：一次大地震令洛杉矶地底深处的火山喷发，向着住宅区流去，维修地下管道的工人被烧死。地质学家艾美和朋友下去隧道勘测时亲身经历了朋友被岩浆喷发带走了生命。一时之间，城市一隅充满了地底爆发的岩浆。危机处理中心总指挥麦克（Tommy Lee Jones 饰）采取了艾美博士的建议开始疏散人群，他们先利用数百万吨空中降水来使来势汹汹的岩浆变成障碍物，阻挡了岩浆的流动。正当大家以为松一口气时，艾美博士认为岩浆并没有真正被阻挡，只是改变了流向，而且正在往充满伤员的医院奔涌。他们只剩下30分钟的时间去处理这个问题，他们能成功吗？